christian dior's new look of 1947 | christian dior 1940s fashion

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On February 12, 1947, the world of fashion irrevocably changed. In the elegant salons at 30, Avenue Montaigne in Paris, Christian Dior unveiled his debut collection, Spring-Summer 1947, a breathtaking spectacle of ninety meticulously crafted looks. While the entire collection was a triumph, it was a specific silhouette – a radical departure from the wartime aesthetic – that would etch Dior's name into fashion history and forever be known as the "New Look." This article will delve into the revolutionary designs of the Christian Dior 1947 collection, examining its impact, the controversies it sparked, and its enduring legacy on fashion.

Christian Dior 1947 Collection Designs: A Celebration of Femininity

The Christian Dior 1947 collection was a deliberate and powerful statement. Emerging from the austerity and practicality of the post-war years, Dior's designs were a vibrant celebration of femininity, opulence, and a return to elegance. The collection showcased a dramatic silhouette defined by a cinched waist, a full, A-line skirt, and a softly rounded, padded shoulder. This was in stark contrast to the utilitarian, shoulder-padded, and often shapeless clothing that had been prevalent during World War II. The "New Look" emphasized a woman's curves, celebrating her hourglass figure in a way that had been largely absent for several years.

The collection wasn't simply about the silhouette; the fabrics and details were equally crucial. Dior utilized luxurious materials such as silk, velvet, satin, and lace, often employing intricate embroidery and embellishments. The colours were rich and vibrant, ranging from soft pastels to bold jewel tones. Each garment was meticulously tailored, showcasing Dior's commitment to impeccable craftsmanship. This attention to detail extended to the accessories, with Dior's designs often paired with elegant gloves, hats, and shoes, completing the overall look.

Beyond the iconic silhouette, the collection showcased a diverse range of styles. While the "New Look" dominated, it was not the only design on display. The collection included tailored suits, elegant evening gowns, charming day dresses, and even practical coats, all unified by the underlying theme of refined elegance and feminine grace. This diversity ensured that the collection appealed to a wider audience, solidifying Dior's position as a leading designer.

Christian Dior's Corolle Collection 1947: The Heart of the New Look

Within the broader 1947 collection, the "Corolle" line stands out as the epitome of the New Look. This sub-collection featured dresses with the signature cinched waist and full skirt, but with a particular emphasis on the soft, rounded shape of the skirt, resembling a flower corolla. The Corolle dresses were often made from luxurious fabrics like silk taffeta or satin, enhancing their elegant and romantic appeal. They were the perfect embodiment of Dior's vision: a feminine, graceful, and undeniably glamorous silhouette.

Christian Dior Button-Up 1947: A Subtle Detail with Significant Impact

While the dramatic silhouette was the collection's defining feature, even smaller details contributed to its overall effect. The use of buttons, for instance, was far from inconsequential. Dior's button-up blouses and jackets, often featuring meticulously placed buttons in elegant patterns, added a touch of sophistication and refinement to the overall design. These seemingly minor details played a crucial role in shaping the overall polished and refined aesthetic that characterized the New Look. The buttons were not merely functional; they were an integral part of the design, highlighting the meticulous attention to detail that defined Dior's work.

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